Wednesday, May 14, 2008

Music in the Old Testament, Part I


I’ve decided to begin a study of the use of music in Old Testament worship. OT worship was practiced only by the nation of Israel (children of Abraham), God’s chosen people, and perhaps a few proselytes. Surrounding nations could also recognize and fear the Most High God, because they saw how He blessed His people (when they lived in obedience to God’s law) and what great things He did for them (such as the victories in Canaan).

The role of the Levitical priesthood is a most interesting one. Levi’s descendants were the people to whom God entrusted the protocols for His worship—protocols carefully devised by God Himself and revealed to the prophet Moses. These included the ceremonial laws for blood sacrifices, guidelines for art and artifice used to beautify the worship environment, priestly attire, purification rituals, and regulations for daily life.

For the Israelites, the act of worship did not cease upon their exit from the temple. Every aspect of life was a continuation of the sanctification begun with the offering of sacrifice and prayer. This idea surfaces in Apostle Paul’s consciousness in writing Romans 12:1, “I beseech you therefore, brethren, by the mercies of God, that ye present your bodies a living sacrifice, holy, acceptable unto God, which is your reasonable service.”

I Chronicles 9:33—And these are the singers, chief of the fathers of the Levites, who remaining in the chambers were free: for they were employed in that work day and night.
This comes from a passage describing King David’s work in organizing the Levitical priests. Music was so important to the worship of the Most High God that the singers had no other job. What highly developed music that must have been; surely it was far from primitive. Anyone whose involvement in the arts has been significant knows how much diligence is required to perform well and skillfully. The arts and humanities are glorious gifts of God to human beings; we give back to God edify fellow Christians with the right use of those gifts. We would do well to recognize that the worship of our God is the best and highest use of the arts, and to reward skilled artists accordingly.
II Chronicles 5:13—It came even to pass, as the trumpeters and singers were as one, to make one sound to be heard in praising and thanking the LORD; and when they lifted up their voice with the trumpets and cymbals and instruments of music, and praised the LORD, saying, For he is good; for his mercy endures for ever: that then the house was filled with a cloud, even the house of the LORD; so that the priests could not stand to minister by reason of the cloud: for the glory of the LORD had filled the house of God.
This passage describes the dedication of the Temple. God unambiguously made His pleasure known when His people praised Him skillfully. No mention is made of the secret motives of talented musicians. The narrator notes carefully that the musicians sounded “as one,” a prime goal of musical ensemble to the present day. For an ensemble to sound “as one,” tremendous mastery, discipline and sensitivity must be developed in the musicians. These were not people who just decided to pull together some “special music” at the last minute.

II Chronicles 20:21—And when he had consulted with the people, he appointed singers unto the LORD, and that should praise the beauty of holiness, as they went out before the army, and to say, Praise the LORD; for his mercy endureth for ever.
This reminds me of Scotland’s historic “bagpipe intimidation” tactic, except that praise singers don’t seem very intimidating. This doesn’t indicate whether they were simply for show on dress parade or actually visited the battle scene. I would suspect the former . . .

The Book of Psalms is the “hymnbook” of Israel. Many of the Psalms were written by King David, some by Asaph, a leading-edge Levite, and others by anonymous authors, but all were meant to be sung. The quality of poetic expression, especially in the King James Version, is very lovely. Some, like Psalm 148, practically sing themselves off the page.

Parenthetically: we as Christians should rethink singing the Psalms and teaching them to our children. Additionally, these rich Psalm texts offer wide opportunity for young composers. To be continued . . .

No comments: